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Very much retaining the characteristically Finnish melancholy of its well-received predecessor, on "Tie on Hänen Omilleen" do GOATS OF DOOM bring forth a more regal touch - never be too saccharine, of course, but with an almost-medieval style of melodicism - that burns with the same icy-hot touch they've made their own these past dozen years. Synths make a subtle return here, as well, but are transposed onto a rougher 'n' raw soundfield, grinding these no-less-melodic ruminations deeply into the dirt. Similarly, more "rocking" tropes also make an entrance here, with the sum total of "Tie on Hänen Omilleen" thus residing in a unique netherworld of nightsky mysticism, alcohol-fueled anger, and a still-perfect balance between grit and gleam, mystery and muscle. Or, simply, once again do these GOATS craft unmistakably Finnish black metal that both defines /and /defies this ever-vibrant scene.
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